When you first start pottery everyone says ‘ did you make an eggcup’, in my case I have ever only made four.
The small round extrusion
I thought I might remedy that and make a few more in two ways, extruded and thrown, I am mixing cheap Raku clay ( closing down ) with my usual white stoneware, the clay is very groggy.
First I tried extruding, trying to get them precise was a no go so I made them like you would a pinch pot and turned them into space creatures or trees .
Throwing off the hump was really hard, the ruddy camel kept moving . This was the quickest way and the most precise.
As usual we will have to wait for all the firings to see if it’s a go or a no-go.
I’ve had an extruder for a while now, but haven’t used to it’s fullest potential. Late last year I made a special effort and now using it to make bottles.
My new die 5 sided shape, poly wotsit
For Christmas I bought myself two new dies, nothing to do with Dignitas, not yet. My new dies were laser cut by the lovely Tina at http://www.northshoremetalprofiles.co.uk based on Hayling island, I met Tina on the Hayling art trail and Red Lion Xmas fair where I gave her the patterns.
The following photos show how it all works .
Looking down the barrel of an extruder at the die fixed into the holding plate.
load up the barrel lets have a barrel of clay
Fresh extrusion
The three parts of the bottle ready for joining
The thrown bottle top rested on the bat and then the body centred upon it, joined with slurry
next the bottom
Bits joined trimmed and blended ready for some slip
Dipped into Devon ball clay white slip
Fresh slip good enough to eat
Wet sgraffito decoration using bristle brush and rubber tool. Ready for the two firings, the darker pattern burning through.
Usual service is resumed after some health issues, I wasn’t allowed to do anything strenuous lifting or anything that strained my stomach, this also included washing up, hoovering, making tea or housework. I was told all these things by the surgeon, who failed to mention getting beaten about the head.
The workshop is a little bit chilly after a lot of very mild autumn days, first fire of the autumn/winter season.
the first one this season
I did a little bit of throwing, but found it hurt , so I made some plates using the moulds that I made pre op instead.
a shallow mould for a flatter p[ate
Luckily my pugger has a vacuum pump which takes the need for kneading out of the preparation . I decided to roll out slabs on the slab roller. Using machines to do the hard work is a basic human thing.
Beach slip over a green slip chattered on with wide brush green slip over beach slip chattered on with a wide brush wet to dry sowing the shrinkage
All the pots were taking ages to dry but did manage to fill a kiln for bisque.
I would like to finish by wishing everyone a Happy Christmas and a prosperous New Year .
This years trail is the biggest yet, 31 artists and crafts persons. Pick up a guide you will see them in Cafes, libraries, and of course on the trail pop into any venue just follow the signs.
Come and take a look, you will be very welcome .
Update on trail statistics; the trail as a whole attracted an increase in footfall of 40%,slaes overall were up 35%.
our visitor numbers were up from 114 in 2025 to 165 in 2025 an increase of 311 % . Most people were pleased we certainly enjoyed it.
Thank you to everyone who visited , see you next year
On holiday what do most people do, visit a pottery community of course.
Terracotta the upper way with old kilns
Essaouira is a coastal town 176 kilometers from Marrakesh and Safi is 121 kilometers north from there. The only way to get there was in a taxi, the road follows coast, miles of beautiful beach crying out for surfers, there was only one small resort for them oddly called Saouira.
pottery dog, dogs roam free in Morocco
We rode through the desert on a taxi with no name it felt good to be out of the rain and enjoying 20 something centigrade heat. After driving through a huge petrol refinery, we arrived in Safi a more workaday town than Essaouira .
Tagines and their chaffing dishes a sea of red clay
We walked through the main street with showrooms and workshops either side, when we were accosted by an older man who insisted we went with him to to his ‘ artisan’ workshop. We followed up some stairs and along one of the upper ways where he opened up his very small workshop, he was very nice and insisted that I had a go. Dentistry is not very good in Morocco for poor folk, his front teeth often fell out as he smiled so much, sadly I never did get his name. He showed us his two kilns the last firing of which for twenty years ago, they use electric ‘ ovens ‘ now.
The upper part of the kilninside the kiln with the flues at the bottominside looking up into the chimney flue probably covered in large shards The flues coming through the floor and a Moroccan footderelict kilnour man’s kilnnicely attired stoke hole
The kilns were very basic updraught type one stoke hole and many flues. they were rounded cones and had really big chimney flues. He gave me some clay to take home and I have made a slip with it. There were about 20 kilns in the area none of which is used.
wheel speed was very fast and he threw off the hump ,very small space
Moroccans use tagines a lot and still use charcoal chaffing dishes used since medieval times or before , and the market for unglazed wares was very busy everywhere we went, garden pots to cooking dishes with terrasig slips.
chaffing dish Tagine with terra sig slip coating Tiles depict how it was OLYMPUS DIGITAL CAMERA
Looking across the valley it was easy to visualize how it would have been, when the ovens were working and with local people buying their pots for everyday usage before the days of metal and aluminium.
Planned 3 months ago, we were very lucky with the weather .
The firing was mainly to get some stuff ready for Bren’s Emsworth open studio weekends, though her venue had lost it’s roof to a fire the previous night.
Bren bought two people , one non combatant and another, ( Linda ) who was being a bit fishy.
I had made a top hat kiln especially to fire single larger pots for horse hair and feathers , it was amazingly quick to get it up to 800 which is the best temp for horse hair and feather, stinky business.
I can’t get hardwood sawdust anymore and the softwood chips were very smoky, note to self buy a good mask.
We had a very convivial lunch and had a very enjoyable day, although it felt like a hundred extra strong cigarettes, onto the next one in April.
Sadly i’m unable to volunteer at the Weald and Downland Museum any more . I have a number of pots that I would like to give away to anyone who wants them. I will have to charge postage or you can come and get them by arrangement. Telephone 07930356070. I am in possession of a functioning kettle and have some exotic leaves from Ceylon Sri Lanka that I can infuse into a hot beverage.
Planned for the Friday but cancelled due to weather, I decided the Saturday looked better in the forecast. The decision was a good one and Saturday turned out to be clear and very warm.
I wanted/ needed to do this solo to increase my knowledge of the kiln. I needed to finish the firing before darkness for safety reasons. The sparks and flames highlighted against a dark sky may have alarmed my neighbours. To make this happen I needed to start very early with the gas flame as quietly as possible, two Saturn rockets going off at 4 am tends to annoy them, a moderate flame was the answer until a reasonable time, 9 am.
All went well and started to stoke wood at 10 am, there was hardly a breath of wind, the left hand firebox was reducing and needed large lumps the right hand box was getting the rise. It all went well until cone 9 went over with a slight bend on 10. Clammed up, firing over.
A very good firing with a very hot spot in the back left of the kiln, next time will be different of course as the conditions, packing, timber and weather will affect it
Some of the results
very 60’s like glaze light body underfired ?plenty of bottles in this firing to stock up.square oil bottles little and large hazel ash glaze celadon